Section of my most recent painting.

I took one oil painting class in 2006. Ever since then, I’ve been thinking I would like to paint again. Finally I dug out my old paints, threw away the hardened tubes, made a new palette, fixed a shelf in the spare room to hold my canvas, and slowly tried to teach myself to use oils again.

I am so happy when I’m painting.

In 2005 I needed a job and it was convenient to find work on campus, where I was studying as a non-traditional undergrad. Yes, 35 years old and pursuing a Bachelors degree. I had modeled at a community college in California before I moved to Boston, so I inquired at the Art Department. Sure enough, they wanted another model. So I posed for figure painting classes for a couple of professors as needed, but most often for Professor Wardwell. After a year of modeling, I liked Joe Wardwell and I liked the way he taught. I liked the music he played during class time.

When a slot opened up in my schedule in 2006, I took Art 101, and was exposed – in a different way! – to oil painting.

Professor Wardwell started us off with black and white. So when I began painting last year, I started in black and white too. I wanted to remember what the paint felt like, how to capture light and shadows again. For my very first image, I chose a Japanese land mine that I pulled from a shelf. It’s a simple shape.

WWII Japanese ceramic land mine. It’s designed to be filled and thrown by hand.

Here’s my work space in the spare room.

And my first painting, nice and simple, 11 years after my only painting class in my life.

I am always drawn to nature. So when I was walking through my property and found a newly broken branch with leaves on it, I brought the branch to the house and began painting. It shriveled up in two days and I had to finish the shadowing with my imagination. It got a little frivolous, but I had fun.

Leaves partially realistic.

Stumped with what else to paint, I actually turned to my left and began painting the spare bed next to me. I had recently had a guest in the room, and the slightly rumpled pillows were interesting to me. The crazy 4-armed lamp arced over it and out of the image. The old cast-iron hospital bed frame (from my mother) showed through.

Spare bed, slept in and somewhat tidied.

At this point I felt like I could move to colour.

Every now and then I get to stay at my brother’s house in Washington. Ian and Karen live in an amazing spot in Seattle. The view from the spare bedroom at their house is a clear shot of the Space Needle. I took a photo and loved the way the colours worked. I decided long ago that one day I would paint that photo, and now was the time.

The photo I took from Ian and Karen’s spare bedroom.

I started out slowly, and took a very very long time to finish the painting.

Here’s my first day’s work

My workspace. I pulled the photo up on my iPad to reference while I painted.

I added some orange and yellow

More detail. I was excited to finish the Space Needle.

I had so much fun with the brick wall.

Ian and Karen told me they would be coming south to spend the weekend with me while Karen attended some training in Portland. I had to grab the painting and finish it up! I added my signature and a couple touch ups. My idea all along had been to give it as a gift to Ian, and now was the perfect time.

They showed up on Eid al-Fitr, so I did a quick Google search to see how people celebrate Eid. The first three steps were all about praying. Since I’m atheist I skipped those. But then there was gift-giving and food. I made a wonderful lamb stew and couscous, and honey-walnut cookies for dessert. I had the perfect gift to give.

Final version of the painting. It was sort of dry by the time Ian and Karen took it home with them.